Alfonso Alzamora focused on painting in the early stages of his career and then gradually combined this with sculpture. He uses concepts of double meaning, apparently opposite elements that provoke reflections from absence: rationality and symmetry of geometric structures which contain indeterminate and infinite concepts that are expressed in empty spaces such as holes or stairs. A metaphor for life that joins the visible part with the ethereal scarcity intertwined on the void. His work becomes poetic, in which the baroque idea of eternity connects with the minimalist precision of the cube, searching for the sensitive aspect of things.
2016
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