Despite having a special interest in the surroundings, Lisette Pons’s photographs do not keep a documentary distance, but instead seek to bear witness to the artist’s feelings and experiences. In this way, they become a fragment of the memory and of what endures after contact with the world.
The black and white and the process of research in the laboratory give the final result a certain abstraction that adds a highly emotional aspect to the photographs. In a period such as the current one, in which the photographic image is abundant and constantly communicative, the artist offers us some silent photographs that allow us to reflect on human behaviour and existence.
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