Daniel Argimon is one of the most important informalist artists in our country and the one who has investigated its linguistic capacities in greatest depth. His works are characterized by his mastery of material work and collage, his taste for the texture, the tactile finishes and his constant experimentation with techniques. Within Informalism he chooses the option of the exaltation of humility and poverty. From 1961, the artist’s vital anguish becomes evident through the incorporation of elements that refer to reality such as objects that have been damaged or deteriorated by time and use.
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