Eduard Arranz-Bravo was a prestigious multidisciplinary artist who worked with Rafael Bartolozzi for over a decade on arts projects that marked the history of contemporary Spanish art. His early paintings are set within the Informalism that he gave up in 1961, having been seduced by Caravaggio’s naturalism. They lie midway between the world of surrealism and the aesthetics of pop art and the repeated presence of the human figure makes an ironic allusion to the troubles, insecurities and anxieties of humankind today.
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