The current exhibition at the Fundació Vila Casas, curated by Enrique Juncosa, is presented as a second large and necessary retrospective that aims to review and reinterpret Susana Solano and bring her closer to the younger generations.
At the Fundació Vila Casas, in Can Framis museum, Shadow Papers is presented. The collage technique is the main protagonist, and according to Biel Mesquida, the origin of collage is “to build from fragments”.
Which is your favourite museum?
My ideal museum is one that looks at the world but basically pays attention to the artists of the country (…). An exemplary institution for me in recent years has been the Vila casas under the leadership of Álex Susanna.
The artist, born in Amer, proposes a journey into her inner self through the exhibition “Transparency within”. The exhibition has been conceived as an installation of affinities between the forty works that comprise it.
The artist looks back over four decades of her career at Espais Volart
Susana Solano is one of the great voices of contemporary sculpture, “a national treasure”, says Juncosa, with an international projection.
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