The air that dances in one’s mouth is an invitation to invert our perspective: to observe how bees approach and delve into the invisible, just as nectar’s forms reveal ultraviolet patterns to guide pollinators towards it despite the opacity of our vision. This project by Sara Bonache uses a hybrid practice combining painting and pastels to propose a shift from the micro to the macro, to subvert our perception of the natural world, thus presenting it as the fundamental dynamic of coexistence in which one can build with the other. By means of a process of metamorphosis of forms, humankind is no longer at the centre thus enabling it to merge into a living ecosystem of relationships and mutual effects, revealing the essential connection that unites us with an interconnected and non-anthropocentric nature. The air that dances in one’s mouth aims to subvert hierarchies and move what had been in the background towards the centre, to celebrate life as a constant dance of reciprocal transformations.
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