Esculturas que dialogan con otras épocas y culturas arcaicas, nos invita a participar en seductoras cadenas de relaciones e interacciones, entre la presencia y la ausencia, el pasado y el futuro, recuperando el uso y la forma de la memoria personal e histórica. En su obra coexisten tradición y realidad artística, entretejiendo múltiples reciclajes y sugerentes analogías. Camí construye estructuras simples de flexibilidad compacta y austera, llenas de simbolismo alusivo, resultado de una intensa investigación formal, material y conceptual.
Painter and engraver, who got to know Cézanne’s work at a young age thanks to a grant that took him to Paris, the city he returned to after the First World War and where he encountered surrealism and artists such as Max Jacob and Pablo Picasso. In the twenties, he applied the avant-garde styles of the time and his painting oriented towards a cubist-inspired classicism, and the nude female became the main motif in his work. He also began to be recognized internationally at this time. In 1932, having returned to Barcelona, he got to know Francesc Cambó and his work focused on portraits of Catalan high-society of the period.