The collection

Began his career with a work on horseback between impressionism and Fauvism, in which the central axis was chromatic expressiveness. Not long afterwards, thanks to the dominance of primary colours and the treatment of light, he evolved towards a constructivism that gradually disfigured characters in motion. He would not abandon this decomposition of the human figure even when his artwork moved towards the abstraction driven by the experimentation of stain and gesture. It was not until the second half of the eighties, and until his premature death, that his artwork gave up any figurative reference and entered into informalism, with the application of new materials such as sand, recycled objects or methacrylate, transgressing the limits of the canvas.