Jordi Esteva is passionate about Eastern and African cultures and has spent a great deal of his time as a photographer and writer portraying those traditions. He was editor-in-chief and art director at the magazine Ajoblanco from 1987 to the summer 1993. In the book Los oasis de Egipto (The Oases of Egypt), he documents everyday life in the desert and the landscapes that are at risk of being paved over. In his publications such as Viaje al país de las almas (Journey to the land of souls), he portrays the ancient traditions of the communities which live in the Ivory Coast. In 2001, he worked with UNESCO to photograph the Medina in Marrakesh, a project that was exhibited at the UNESCO Headquarters in Paris and at the United Nations in New York. He is an artist who explores societies who live in intimate contact with nature. His work offers such an enriching experience for people in Western culture, who are so immersed in a digitalized world.
Painter, sculptor and illustrator. He spent most of his career in Madrid, though he always kept in touch with Catalonia and his home city, where installed on his most important works, Pasifae, in 1991. He usually focussed his iconography on events and characters in Greek mythology and Cycladic culture, and endows them with a playful, burlesque and dreamlike vision. He has held exhibitions throughout Spain and several countries in Europe, and twice taking part in the São Paulo biennial, in 1969 and 1974.
A modeller and sculptor trained in Paris, Milan and Barcelona; he has created one of the most suggestive yet least known sculptural careers in the last half century. He mainly works with minerals such as marble and alabaster, though he has also worked with wood. His first exhibition was in 1976 at the Galeria Cadaqués, but he did not begin signing his work in the name he currently uses until 1991. In his most recent production, Farreras empties out the inner spaces of the pieces he works on, allowing light to pass through; hence referring to them ‘cathedrals’.
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