Pascual Casaubón adopts the Ulldecona stone from his land and infuses it with life and synthesis. He disfigures the mass to reveal a kind of living, organic body. It is art in tension, sensual forms from which water flows, crevices, strata, sediments, phallic, ovoid forms and mounds that rise towards the sky or extend across the ground. A fusion of the exactitude of straight lines and the grace of curves, which are like precipices that draw us towards a vertiginous void. His most recent works are notable for geometric forms of a symbolic abstraction, reminiscent of Gaudí’s Catalan modernism.
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