Narcís Coderch’s work is based on an interpretation of the elements in the landscape and liturgical objects. He is a keen collector of the versatility of objects from his surroundings that he manipulates with irony, and makes the viewer take part in a range of stimuli. Through the use of a figurative language, he decontextualizes the objects in order to show us a faceted and almost unknown reality, within a false, unreal and even surrealist context.
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