The early nineties were decisive in the artistic career of Àlvar Calvet, who immersed himself in a work of self-expression and combined his plastic creation with his pedagogical work as an art teacher. The artist insists on the relationship with everyday life, and invites the viewer to participate in order to generate a reaction. His work progresses on to abstraction within compositions of horizontal and vertical lines in which he mixes colours and printed canvases that he guides through geometrical structures whilst at the same time exploring sociology. Two axes that converge in a representation of the active collective and which at times symbolize an abstract replica of a real image or a portrait.

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