The display was conceived as a space for the coming together of two voices that renovated the language of visuals and volume in the discipline of graphic design. In the 1960’s Fornas's designs for the sleeves for Edigsa records, book covers for Edicions 62 and the crime series “La cua de palla”, and the magazine Serra d’Or, brought a new aesthetic to the Catalan cultural sector. Pedragosa made his name as a “rigorous and scientific” designer, leaving us memorable work such as the logo for “Fogo” insecticide and a wealth of posters, illustrations and book designs.
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