Through his early work in figuration, Salvador Juanpere explored aesthetic research into primeval forms, manifesting a will for their revival. The symbiosis between the natural world and artifice, seen through materials taken from either nature or from industrial sources (such as glass and steel), led in the 1990s to a body of work related to science and philosophy. His work then became increasingly three-dimensional as he introduced tools and receptacles, vectors of a fundamental effort to reflect upon the process of artistic creation.
Postgraduate degree in Photographic Direction at the Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC) in Barcelona. She has been working in the audiovisual field for over fifteen years as an assistant director and assistant camera operator on several feature-length films; whilst doing this work she discovered her passion for still photography, which she currently works on at the Fundació Foto Colectania. She recently carried out the still photography for the film La inocencia, which won a Goya award last year.
Marc Larré has a degree in Fine Arts and studied in Barcelona and New York, which undoubtedly influenced the versatility he achieves when focusing on the urban landscape. His photography is infused with the urban object, which he uses as the whole protagonist in the scene where he captures snapshots in time. The aim of taking sculptural thought into the photographic space helps Marc Larré create illusions and artificial landscapes through the way he plays with these elements that are taken out of their immediate surroundings: waste materials, urban furniture, buildings, etc. Through his perspective, these materials transmute into what humankind has made in its geographical sphere and the moral and cultural consequences that this implies for the entire social environment throughout history.
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