Through his early work in figuration, Salvador Juanpere explored aesthetic research into primeval forms, manifesting a will for their revival. The symbiosis between the natural world and artifice, seen through materials taken from either nature or from industrial sources (such as glass and steel), led in the 1990s to a body of work related to science and philosophy. His work then became increasingly three-dimensional as he introduced tools and receptacles, vectors of a fundamental effort to reflect upon the process of artistic creation.
Postgraduate degree in Photographic Direction at the Escola Superior de Cinema i Audiovisuals de Catalunya (ESCAC) in Barcelona. She has been working in the audiovisual field for over fifteen years as an assistant director and assistant camera operator on several feature-length films; whilst doing this work she discovered her passion for still photography, which she currently works on at the Fundació Foto Colectania. She recently carried out the still photography for the film La inocencia, which won a Goya award last year.
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